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  		<h1 class="entry-title">The Gonzaga Band</h1>	</header><!-- .entry-header -->
  
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  		<p>The Gonzaga Band was formed by cornettist Jamie Savan in 1997, with a mission to explore the intimate relationship between vocal and instrumental performance practice in the Early Modern period. The ensemble takes its name from the ducal family of Mantua: the Gonzagas were powerful and influential patrons of the arts in the late Renaissance, who employed Claudio Monteverdi as their <em>maestro della musica</em> at the turn of the seventeenth century. Monteverdi wrote some of his most innovative music for the Gonzagas: his third, fourth and fifth books of madrigals, the operas <em>Orfeo</em> and <em>Arianna</em>, and of course the Vespers of 1610.</p>
  <p>Performing most often as a chamber ensemble with a core of soprano voice, cornett and keyboards, and expanding on occasion according to the particular requirements of each programme, The Gonzaga Band is thus able to perform in a variety of combinations, ranging from a trio to a full period-instrument orchestra and vocal consort. The Gonzaga Band is renowned for its innovative programming, underpinned by cutting-edge research, which continually shines new light on the repertoire and its interpretation.</p>
  <p>The Gonzaga Band has six CDs to its credit: <em>Sacred Garland</em> (2009) and <em>Chamber Vespers</em> (2011) were released on the Chandos label; 2018 saw the beginning of a new relationship with Resonus Classics with the release of <em>Venice 1629,</em> followed by the 1616 Vespers music of Amadio Freddi in 2019, and <em>Alla Milanese </em>in 2023. The Gonzaga Band&#8217;s latest album is <em>Love&#8217;s Labyrinth</em>, released on the Deux-Elles label in July 2025.</p>
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  			<p><strong>Jamie Savan – director, cornett / mute cornett</strong></p>
  <p><img data-attachment-id="1026" data-permalink="https://gonzagaband.com/people/jamiesavan-2092/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg" data-orig-size="921,1290" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="JamieSavan.2092" data-image-description="" data-image-caption="&lt;p&gt;Jamie Savan&lt;/p&gt;
  " data-medium-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg?w=214" data-large-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg?w=731" loading="lazy" src="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg?w=293&#038;h=411" class="alignright wp-image-1026" alt="JamieSavan.2092" width="293" height="411" srcset="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg?w=293&amp;h=411 293w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg?w=586&amp;h=822 586w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg?w=107&amp;h=150 107w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2092.jpg?w=214&amp;h=300 214w" sizes="(max-width: 293px) 100vw, 293px"></p>
  <p><strong>Jamie Savan</strong> is director of&nbsp;the Gonzaga Band and is lucky enough to combine his performing career with an academic position as Professor of Performance-led Research at Royal Birmingham Conservatoire. He is also active as a solo recitalist, as a chamber musician with His Majestys Sagbutts &amp; Cornetts and as an orchestral principal with the English Baroque Soloists under Sir John Eliot Gardiner. He has performed with many other of the world’s leading period-instrument ensembles, including Concerto Palatino, Amsterdam Baroque Orchestra, and Bach Collegium Japan to name but a few, and enjoys exploring the many facets of his instrument, ranging from Renaissance improvisation techniques to new music for cornett and live electronics.</p>
  <p>&nbsp;</p>
  <p><strong>Faye Newton – soprano</strong></p>
  <p><img data-attachment-id="1028" data-permalink="https://gonzagaband.com/people/jamiesavan-2235/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg" data-orig-size="921,1290" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="JamieSavan.2235" data-image-description="" data-image-caption="&lt;p&gt;Faye Newton&lt;/p&gt;
  " data-medium-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg?w=214" data-large-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg?w=731" loading="lazy" src="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg?w=294&#038;h=412" class="alignleft wp-image-1028" alt="JamieSavan.2235" width="294" height="412" srcset="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg?w=294&amp;h=412 294w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg?w=588&amp;h=824 588w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg?w=107&amp;h=150 107w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2235.jpg?w=214&amp;h=300 214w" sizes="(max-width: 294px) 100vw, 294px"></p>
  <p><strong>Faye Newton</strong> enjoys a diverse repertoire spanning some six centuries and embracing many aspects of the solo voice, from medieval song recitals (with Dup Trobairitz), to intimate lute-song recitals, consort singing and baroque opera roles. She has collaborated with leading period instrument orchestras and choirs including: the Amsterdam Baroque Orchestra, the Taverner Consort, the Monteverdi String Band, Caecilia-Concert and the New London Consort (with whom she performed at the BBC Proms and in acclaimed opera productions by Jonathan Miller). Whilst her musical life is varied, Faye has a particular affection for the virtuosic and expressive music of Monteverdi and his contemporaries.</p>
  <p><strong>&nbsp;</strong></p>
  <p><strong>Steven Devine – harpsichord / organ</strong></p>
  <p><img data-attachment-id="1029" data-permalink="https://gonzagaband.com/people/jamiesavan-2485-1-lowres/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg" data-orig-size="1008,1290" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="JamieSavan.2485-1.LowRes" data-image-description="" data-image-caption="&lt;p&gt;Steven Devine&lt;/p&gt;
  " data-medium-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg?w=234" data-large-file="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg?w=800" loading="lazy" src="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg?w=313&#038;h=400" class="alignright wp-image-1029" alt="JamieSavan.2485-1.LowRes" width="313" height="400" srcset="https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg?w=313&amp;h=400 313w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg?w=626&amp;h=800 626w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg?w=117&amp;h=150 117w, https://gonzagaband.com/wp-content/uploads/2020/02/jamiesavan.2485-1.lowres.jpg?w=234&amp;h=300 234w" sizes="(max-width: 313px) 100vw, 313px"></p>
  <p><strong>Steven Devine</strong> enjoys a busy career as a music director and keyboard player working with some of the finest musicians. He has been the principal keyboard player for The Gonzaga Band since its formation in 1997 and is also principal keyboard player with the Orchestra of the Age of Enlightenment and The Mozartists, and he performs and records regularly with many other groups internationally. He has numerous solo recordings to his credit, including Bach’s <em>Goldberg Variations</em> and <em>Italian Concerto</em> on Chandos, and the complete harpsichord works of Rameau, Bach&#8217;s <em>Well-Tempered</em> <em>Clavier</em>, and a new series of keyboard works by Johann Ludwig Krebs on Resonus Classics. He is Early Keyboard Consultant to the Royal Birmingham Conservatoire and the Royal Welsh College of Music and Drama, and teaches fortepiano at the Royal Academy of Music.</p>
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  			<h1 class="entry-title">Projects</h1>		</header><!-- .entry-header -->
  
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  			<h1>Alla Milanese</h1>
  <p>Alla Milanese (&#8216;in the Milanese style&#8217;) explores the connections between musicians at the heart of Milan&#8217;s scene for experimental music, c.1592-1626. Alongside compositions from the city&#8217;s most illustrious musical families &#8211; Rognoni and Cima &#8211; we have sought to rediscover the music of their lesser-known contemporaries, including Biumi, Casato, and the nun-composer Caterina Assandra, to illuminate a rich and complex network of stylistic innovation at the dawn of the Baroque era.</p>
  <p>Requirements (6 musicians): solo soprano (Faye Newton), cornett (Jamie Savan), violin (Oliver Webber), bass violin (Mark Caudle), bass sackbut (Guy Morley), organ/harpsichord (Steven Devine).</p>
  <p><img data-attachment-id="2102" data-permalink="https://gonzagaband.com/projects/gonzaga-alla-milanese-collage-2/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg" data-orig-size="7200,4800" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1646243168&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="gonzaga alla milanese collage" data-image-description="" data-image-caption="" data-medium-file="https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg?w=300" data-large-file="https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg?w=820" loading="lazy" src="https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg?w=820" class="size-full wp-image-2102"   srcset="https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg 7200w, https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg?w=150&amp;h=100 150w, https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg?w=300&amp;h=200 300w, https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg?w=768&amp;h=512 768w, https://gonzagaband.com/wp-content/uploads/2023/02/gonzaga-alla-milanese-collage-1.jpg?w=1024&amp;h=683 1024w" sizes="(max-width: 7200px) 100vw, 7200px"></p>
  <h1></h1>
  <h1>Amadio Freddi: Vespers (1616)</h1>
  <p>Continuing our exploration of lesser-known composers in the Venetian orbit, we are delighted to present the Vespers music of Amadio Freddi, <em>maestro di cappella</em> of Treviso Cathedral during Monteverdi’s tenure at St Mark’s, Venice. This music was published in 1616 by the Venetian press of Ricciardo Amadino – the same publisher as for Monteverdi’s 1610 Vespers. But this is no mere imitation Monteverdi: Freddi is a fascinating composer with a unique voice, and his music is in many ways ahead of its time. It is perhaps the first to integrate trio sonata textures with the concertato motet, setting a trend that was to define the Venetian style a decade later. Freddi’s <em>Vespers </em>is smaller in scale than Monteverdi’s famous 1610 setting, but is no less virtuosic in its demands for vocal consort and sparkling obbligato writing for cornett and violin.</p>
  <p>Requirements: 6 solo voices, violin, cornett, organ</p>
  <p>Also possible as a collaborative performance with professional and amateur choirs. We can supply the performing scores, instrumentalists and vocal soloists: please <a href="https://gonzagaband.com/contact/">contact us</a> to discuss the options.</p>
  <p>Our world premiere recording of Freddi&#8217;s&nbsp;<em>Vespers</em> was released in September 2019 on the Resonus Classics label.</p>
  <p><img data-attachment-id="749" data-permalink="https://gonzagaband.com/projects/gonzaga-freddi-montage/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png" data-orig-size="1417,1417" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Gonzaga Freddi montage" data-image-description="" data-image-caption="" data-medium-file="https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png?w=300" data-large-file="https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png?w=820" loading="lazy" src="https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png?w=820" class="alignnone size-full wp-image-749" alt="Gonzaga Freddi montage"   srcset="https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png 1417w, https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png?w=150&amp;h=150 150w, https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png?w=300&amp;h=300 300w, https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png?w=768&amp;h=768 768w, https://gonzagaband.com/wp-content/uploads/2019/07/gonzaga-freddi-montage.png?w=1024&amp;h=1024 1024w" sizes="(max-width: 1417px) 100vw, 1417px"></p>
  <p>The Freddi Vespers team (top to bottom, L to R): Faye Newton, Mark Chambers, William Gaunt, Oliver Webber, Jamie Savan, Tim Travers-Brown, Thomas Herford, Steven Harrold, Steven Devine.</p>
  <h1></h1>
  <h1><img data-attachment-id="69" data-permalink="https://gonzagaband.com/projects/in-venetia-mdcxxviiii-2/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg" data-orig-size="1741,380" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1497620728&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="In Venetia MDCXXVIIII (2)" data-image-description="" data-image-caption="" data-medium-file="https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg?w=300" data-large-file="https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg?w=820" loading="lazy" src="https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg?w=820" class="alignnone size-full wp-image-69" alt="In Venetia MDCXXVIIII (2)"   srcset="https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg 1741w, https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg?w=150&amp;h=33 150w, https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg?w=300&amp;h=65 300w, https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg?w=768&amp;h=168 768w, https://gonzagaband.com/wp-content/uploads/2017/06/in-venetia-mdcxxviiii-2.jpg?w=1024&amp;h=224 1024w" sizes="(max-width: 1741px) 100vw, 1741px"></h1>
  <h1>Venice 1629</h1>
  <p><em>Venetian music for solo voice, cornetts and violins by Claudio Monteverdi, Alessandro Grandi, Dario Castello, Biagio Marini, Orazio Tarditi, Benedetto Re.</em></p>
  <p>1629 was a remarkable year for the publication of new music in Venice. Foremost among the musical offerings that year was the first book of&nbsp;<em>Symphoniae Sacrae</em>&nbsp;by Heinrich Schütz, who had come to Venice to learn of the latest developments in modern music from Claudio Monteverdi, then&nbsp;<em>maestro di cappella</em>&nbsp;at St Mark’s. But it was perhaps the music of Alessandro Grandi, Monteverdi’s erstwhile deputy, that was to have the most profound influence on Schütz. Grandi was a specialist in the small-scale, writing monody in the most modern rhetorical style together with ritornelli for two violins, thus introducing aspects of the trio sonata into the genre. Grandi left Venice for Bergamo in 1627, but kept his ties with Venice and published his third and final book of&nbsp;<em>concertato</em>&nbsp;motets there in 1629. His contribution to the development of sacred music was to have a lasting influence in Venice and far beyond for generations to come.</p>
  <p>Coincidentally, 1629 also saw the publication of two landmark collections in the development of virtuosic instrumental music in the emerging baroque style. Dario Castello, a leading wind player at St Mark’s, published his second volume of&nbsp;<em>Sonate concertate in stil moderno</em>, while Biagio Marini, a virtuoso violinist who had also been in the employ of St Mark’s in the early years of Monteverdi’s tenure, published his seminal Op.8, in which we see the beginnings of a clear distinction in idiomatic writing for cornetto and violin (instruments which in many previous publications had been considered interchangeable).</p>
  <p>Finally, Claudio Monteverdi himself is represented in Lorenzo Calvi’s 1629 anthology, <em>Quarta raccolta de’ sacri canti</em>, the unique source for <em>Exulta filia Sion</em>, a solo-voice motet which draws together some of the most progressive compositional devices of the day: dramatic recitative, dance-influenced triple-time arioso, and ground bass patterns. Our programme offers a choice selection from each of these publications, as a series of snapshots from an extraordinary year in the life of this most musical of cities. This programme is a celebration of the high-water mark of Venetian chamber music, prior to the plague of 1630-1 that was to wipe out the famed cornett virtuosi of the city for a generation.</p>
  <p>Requirements:</p>
  <p>Solo soprano (Faye Newton)</p>
  <p>2 cornetts (Jamie Savan, director; Helen Roberts)</p>
  <p>2 violins (Oliver Webber; Theresa Caudle)</p>
  <p>Organ / harpsichord (Steven Devine)</p>
  <p><img data-attachment-id="114" data-permalink="https://gonzagaband.com/projects/gonzaga-band-group-black-white/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg" data-orig-size="4756,3170" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D3300&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1518725517&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;5600&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="Gonzaga Band group black &amp;amp; white" data-image-description="" data-image-caption="" data-medium-file="https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg?w=300" data-large-file="https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg?w=820" loading="lazy" src="https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg?w=820" class="alignnone size-full wp-image-114" alt="Gonzaga Band group black &amp; white"   srcset="https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg 4756w, https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg?w=150&amp;h=100 150w, https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg?w=300&amp;h=200 300w, https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg?w=768&amp;h=512 768w, https://gonzagaband.com/wp-content/uploads/2018/06/gonzaga-band-group-black-white.jpg?w=1024&amp;h=683 1024w" sizes="(max-width: 4756px) 100vw, 4756px"></p>
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  	<span class="panel affinity-panel3" id="panel3">
  		<span class="affinity-panel-title">Panel 3</span>
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  		<header class="entry-header">
  			<h1 class="entry-title">Recordings</h1>		</header><!-- .entry-header -->
  
  	</div>
  
  			<div class="entry-content">
  			
  <h2 class="wp-block-heading">Love&#8217;s Labyrinth</h2>
  
  
  
  <p>Released 18 July 2025 on the <a href="https://deux-elles.co.uk/">Deux-Elles</a> label</p>
  
  
  
  <figure class="wp-block-image size-large"><img data-attachment-id="4456" data-permalink="https://gonzagaband.com/recordings/loves-labyrinth-cover-dxl1213-3000x3000px/" data-orig-file="https://gonzagaband.com/wp-content/uploads/2025/07/loves-labyrinth-cover-dxl1213-3000x3000px.jpg" data-orig-size="3000,3000" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Love&#8217;s Labyrinth cover DXL1213-3000x3000px" data-image-description="" data-image-caption="" data-medium-file="https://gonzagaband.com/wp-content/uploads/2025/07/loves-labyrinth-cover-dxl1213-3000x3000px.jpg?w=300" data-large-file="https://gonzagaband.com/wp-content/uploads/2025/07/loves-labyrinth-cover-dxl1213-3000x3000px.jpg?w=820" loading="lazy" width="1024" height="1024" src="https://gonzagaband.com/wp-content/uploads/2025/07/loves-labyrinth-cover-dxl1213-3000x3000px.jpg?w=1024" alt="" class="wp-image-4456" /></figure>
  
  
  <h1>Alla Milanese</h1>
  <p>Released 10 February 2023 on <a href="http://resonusclassics.com/products/alla-milanese-the-gonzaga-band">Resonus Classics</a></p>
  <p><img data-attachment-id="2104" data-permalink="https://gonzagaband.com/recordings/res10314_cover_300dpi/" data-orig-file="https://gonzagaband.com/wp-content/uploads/202
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